“Abstractionism was still the main influence, but this poster was a break in the sequence of works related to the geometric trend. Its creator was a prominent figure in Informal Abstractionism in Brazil, and this fact naturally gained visibility in the poster. The result brings out a way of creating graphic language that is still very c/ose to the work of the plastic artist: an image from the world of the art is imported, adapted to printing techniques, and text with the required details added”. Bienal 50 Anos, 1951-2001, 2001, p.293